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Nuggets
Dan Graham
Paperback | Mar 2014
25+ in stock $29.95
Jeff Derksen
Kathy Slade
Paperback | Mar 2014
25 in stock $29.95
Elspeth Pratt
Matthew Stadler
Hardcover | Mar 2012
21 in stock $39.99
West Ways
Rita McBride
Paperback | Sep 2011
25+ in stock $19.95
Kota Ezawa
Kathy Slade
Paperback | May 2010
25+ in stock $35.00
Sensory Maps
Anna Ruth
Jan 2010
25+ in stock $12.00

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Visit us at the 2020 Vancouver Art Book Fair October 16-18 !


 
Call for Submissions!
 

Publishing the Present: An Archive of Mutual Care and Action is an ongoing archival project beginning in 2020 collecting independent publications that respond to this contemporary moment of international urgency.

Produced as part of Wendy’s Subway's online residency at READ Books and the Libby Leshgold Gallery at Emily Carr University of Art + Design, the archive gathers these publications as an incomplete document of the present that attests to ongoing histories of struggle for justice and the current international crisis which informs our collective imagination of radically better futures. The archive aims to challenge the conditions that have contributed to this current crisis, considering public health and justice in the broadest sense—including the ongoing pandemic and its intersection with the crises of capitalism; mass incarceration; police violence; white supremacy; attacks on Black, Indigenous, immigrant, LGTBQIA, and disabled lives; environmental devastation; authoritarianism; housing insecurity and increasing economic precarity; among many other threats to human life and dignity.


In centering the work of independent publishers, we strive to document how creative networks have produced and disseminated urgent, nuanced, and collective responses that contribute to sociopolitical change on local and international scales. Mapping the intersections between social movements, activist efforts, emergency response, mutual aid, protest, resistance, and artists’ publications provides a framework for a broader consideration of the role of creative and critical publishing practice in facilitating social transformation.

OPEN CALL:
With this archive we invite you to consider: What new forms can community solidarity and mutual aid take in this time of crisis? How can independent publishing ecosystems support networks of care actively counteracting systems of oppression?
Publishing the Present: An Archive of Mutual Care and Action will launch in September 2020, following an open call for submissions of titles to the archives in August 2020
Submit your print and digital publication to the archive by September 7, 2020.

Submit Here

 

QULLIQ is the most recent publication by ECU Press. It is a monograph on the work of Inuvialuit contemporary artist Maureen Gruben, with texts by Kyra Kordoski, Tarah Hogue, Tania Willard, and Cate Rimmer. Edited by Kay Higgins and Kathy Slade.

No longer on view: Masaomi Yasunaga: Empty Landscape




Empty Landscape
Masaomi Yasunaga
January 17 - March 29, 2020

Opening Reception: January 16, 7 pm


The Libby Leshgold Gallery is pleased to present a solo exhibition of work by Masaomi Yasunaga, a ceramic artist based in Iga-shi, Mie, Japan. The exhibition is comprised of 98 pieces that are interstitial in nature -- existing somewhere between utile vessel and sculptural object, between formation and decomposition.

 Although referred to as ceramics, Yasunaga’s experimentation has led to a process that has removed clay and replaced it with glaze as the primary material element. In order to counter the fragility of the glaze and maintain their form during production, the objects are buried in trays of sand, soil, or rocks. Following their wood firing, they are disinterred in a process akin to archeological excavation, a reference that is further enhanced by the way they are installed in the exhibition on tomb-like mounds of rough gravel.

 Though undeniably connected to the earth, there is something in the work that is also evocative of underwater archeological finds retrieved from a sunken wreck. As with things unearthed from either sea or land, or memories unearthed from hidden places, the work reminds us of the transformational nature of time, bearing both its ravages and beauty. In a review for the Los Angeles Times, Leah Ollman described Yasunaga’s work as “extraordinary objects, tactile things with insistent, engrossing physicality”.

 Masaomi Yasunaga received a Master’s Degree in Environmental Design from Osaka Sangyo University where he studied under Satoru Hoshino, a proponent of the avant-garde ceramic group Sodeisha. He has exhibited extensively in Japan, but only recently had his first U.S. solo exhibition at Nonaka-Hill in Los Angeles. The exhibition at the Libby Leshgold Gallery will be the first time his work has been shown in Canada. The artist will be present at the exhibition opening.

 Image: Courtesy of Nonaka-Hill

 

 

READ Books | Libby Leshgold Gallery | Emily Carr University