Most of this site's functionality requires JavaScript to be enabled.

Invalid email/password
Log In
Dan Graham
Paperback | Mar 2014
25+ in stock $29.95
Jeff Derksen
Kathy Slade
Paperback | Mar 2014
25 in stock $29.95
Elspeth Pratt
Matthew Stadler
Hardcover | Mar 2012
21 in stock $39.99
West Ways
Rita McBride
Paperback | Sep 2011
25+ in stock $19.95
Kota Ezawa
Kathy Slade
Paperback | May 2010
25+ in stock $35.00
Sensory Maps
Anna Ruth
Jan 2010
25+ in stock $12.00

See more...
We are very pleased to announce that the newest publication by ECU Press and Libby Leshgold Gallery, Maureen Gruben: QULLIQ, is available now at READ Books.

QULLIQ is a monograph on the work of Inuvialuit contemporary artist Maureen Gruben, with texts by Kyra Kordoski, Tarah Hogue, Tania Willard, and Cate Rimmer. Edited by Kay Higgins and Kathy Slade.

No longer on view: Masaomi Yasunaga: Empty Landscape

Empty Landscape
Masaomi Yasunaga
January 17 - March 29, 2020

Opening Reception: January 16, 7 pm

The Libby Leshgold Gallery is pleased to present a solo exhibition of work by Masaomi Yasunaga, a ceramic artist based in Iga-shi, Mie, Japan. The exhibition is comprised of 98 pieces that are interstitial in nature -- existing somewhere between utile vessel and sculptural object, between formation and decomposition.

 Although referred to as ceramics, Yasunaga’s experimentation has led to a process that has removed clay and replaced it with glaze as the primary material element. In order to counter the fragility of the glaze and maintain their form during production, the objects are buried in trays of sand, soil, or rocks. Following their wood firing, they are disinterred in a process akin to archeological excavation, a reference that is further enhanced by the way they are installed in the exhibition on tomb-like mounds of rough gravel.

 Though undeniably connected to the earth, there is something in the work that is also evocative of underwater archeological finds retrieved from a sunken wreck. As with things unearthed from either sea or land, or memories unearthed from hidden places, the work reminds us of the transformational nature of time, bearing both its ravages and beauty. In a review for the Los Angeles Times, Leah Ollman described Yasunaga’s work as “extraordinary objects, tactile things with insistent, engrossing physicality”.

 Masaomi Yasunaga received a Master’s Degree in Environmental Design from Osaka Sangyo University where he studied under Satoru Hoshino, a proponent of the avant-garde ceramic group Sodeisha. He has exhibited extensively in Japan, but only recently had his first U.S. solo exhibition at Nonaka-Hill in Los Angeles. The exhibition at the Libby Leshgold Gallery will be the first time his work has been shown in Canada. The artist will be present at the exhibition opening.

 Image: Courtesy of Nonaka-Hill



READ Books | Libby Leshgold Gallery | Emily Carr University